Staff

This page lists everyone who has taken part in making the Grojband series and Grojband - The Show Must Go On!.

Creators

Todd Kauffman and Mark Thornton are the creators of Grojband.

Production Department

• Elliott Animation Inc. provided production services.
• WANTED! Sound + Picture provided pre- and post-production services.
• Carolina Borras-Martinez was a production assistant.
• Tara Campbell was a production coordinator.
• Vanessa Del Priore was a production assistant.
• George Elliott was the supervising producer and an executive producer.
• Jennifer Elliott was a production assistant.
• Wren Errington was an associate producer and production manager.
• Bob Higgins was an executive producer.
• Brian Irving was an executive producer.
• Todd Kauffman was an associate producer.
• Tom McGillis was an executive producer.
• Robin McLeod was a production administrator and production assistant.
• Chapman Maddox was the executive in charge of production for Fremantle Media.
• Julie Nguyen was a production administrator and production assistant.
• Jennifer Pertsch was an executive producer.
• Mark Thornton was an associate producer.
• Sonia Santarelli was a production coordinator.
• Sander Schwartz was an executive producer.

Directors

• Todd Kauffman directed No Strings Attached, Rock the House, War and Peaceville, Myme Disease, Pop Goes the Bubble, The Pirate Lounge for Me, A-Capella-Lips Now, and Group Hug, and co-directed Cloudy with a Chance of Malt Balls, Dance of the Dead, Pox N Roll, Indie Road Rager, All You Need is Cake, Monster of Rock, One Plant Band, Creepaway Camp, Zoohouse Rock, Queen Bee, Dreamreaver Part 1, Dreamreaver Part 2, A Knight to Remember, On the Air and Out to Sea, Ahead of Our Own Tone, Love in a Nethervator, and Six Strings of Evil.
• Mark Thornton directed Math of Kon, and co-directed Cloudy with a Chance of Malt Balls, Pox N Roll, All You Need is Cake, Monster of Rock, One Plant Band, Creepaway Camp, Zoohouse Rock, Queen Bee, Dreamreaver Part 1, Dreamreaver Part 2, On the Air and Out to Sea, Ahead of Our Own Tone, Love in a Nethervator, Six Strings of Evil.
• Michelle Tripp was an assistant director and also co-directed Cloudy with a Chance of Malt Balls, Dance of the Dead, Pox N Roll, Indie Road Rager, Monster of Rock, One Plant Band, Creepaway Camp, Zoohouse Rock, Queen Bee, Dreamreaver Part 1, Dreamreaver Part 2, A Knight to Remember, On the Air and Out to Sea, Ahead of Our Own Tone, Love in a Nethervator, and Six Strings of Evil.
• Keith Oliver was an assistant director.

Writing Department

• Ethan Banville wrote Monster of Rock, Zoohouse Rock, and Line of Credit.
• Ryan Bellville wrote Dreamreaver Part 1.
• Amy Benham wrote Girl Fest.
• Brandon Birch wrote Queen Bee, On the Air and Out to Sea, The Pirate Lounge for Me, and A-Capella-Lips Now.
• Amy Cole wrote Cloudy with a Chance of Malt Balls, Math of Kon, Six Strings of Evil, and The Bandidate.
• Jeff Detsky wrote Who Are You.
• Dave Dias wrote Rockersize.
• Laurie Elliott wrote Helmet, Creepaway Camp, and Super Zeroes.
• Denise Fordham wrote Grin Reaper.
• Kyle Hart wrote Pox N Roll, Space Jammin', Hair Today, Kon Tomorrow, Love in a Nethervator, and Rock the House, Hologroj, and Dueling Buttons.
• Evan Thaler Hickey wrote Ahead Of Our Own Tone and Pop Goes the Bubble.
• Todd Kauffman wrote Smash Up Terby.
• Mike Kiss was the executive story editor and also wrote Wish Upon a Jug, Dreamreaver Part 2, and Hear Us Rock Part 1.
• Ashley Lannigan wrote Bee Bop A Loofah.
• Craig Martin wrote One Plant Band, Inn Err Face, and Curse of the Metrognome.
• Ian MacIntyre wrote For Hat and Country.
• Scott Oleszkowicz wrote War and Peaceville and Kon-Fusion.
• Meghan Read wrote Dance of the Dead, No Strings Attached, All You Need is Cake, Myme Disease, and Group Hug.
• Mark Satterthwaite wrote Smash Up Terby.
• Miles Smith wrote Indie Road Rager and A Knight to Remember.
• Mark Thornton wrote Smash Up Terby.

Voice Actors

Sound Department

• WANTED! Sound + Picture was the company behind the original music.
• Tara Campbell was the recording coordinator.
• James Chapple composed music for Cloudy with a Chance of Malt Balls, Dance of the Dead, Pox N Roll, No Strings Attached, Indie Road Rager, All You Need is Cake, Monster of Rock, One Plant Band, Creepaway Camp, Zoohouse Rock, Queen Bee, Dreamreaver Part 1, Dreamreaver Part 2, A Knight to Remember, Line of Credit, Hair Today, Kon Tomorrow, On the Air and Out to Sea, Ahead of Our Own Tone, Love in a Nethervator, Six Strings of Evil, Myme Disease, The Pirate Lounge for Me, A-Capella-Lips Now, and Group Hug.
• Graeme Cornies composed music for Cloudy with a Chance of Malt Balls, Dance of the Dead, Pox N Roll, No Strings Attached, Indie Road Rager, All You Need is Cake, Monster of Rock, One Plant Band, Creepaway Camp, Zoohouse Rock, Queen Bee, Dreamreaver Part 1, Dreamreaver Part 2, A Knight to Remember, Line of Credit, Hair Today, Kon Tomorrow, On the Air and Out to Sea, Ahead of Our Own Tone, Love in a Nethervator, Six Strings of Evil, Myme Disease, The Pirate Lounge for Me, A-Capella-Lips Now, and Group Hug as well as the Theme Song.
• Shawn French created the sound effects and was also a mix engineer.
• Brian Gallant was involved in dialogue recording.
• Dave Kelly composed music for the show.
• Dan Kuntz was a mix engineer.
• Brian Pickett composed music for the show including the Theme Song.
• Merle-Anne Ridley was the voice director.
• Stephanie Seki was a recording assistant.
• Earl Torno was the music supervisor and post audio supervisor.
• Justin Trencio was a recording assistant.
• Jason Turriff was the music editor.
• Courtney Wolfson was a recording assistant.

Art and Animation Department

• Matt Allen was a color stylist and also drew background art for the show.
• Avi Arora was a VFX designer/animator.
• Eyassu Asalef was an animator.
• Amir Avni was an animator.
• Jeff Barker drew storyboards for the show.
• Larry Barriere was an animator.
• Tom Berger was a Leica editor.
• Darryl Bisson was an animator.
• Jeff Boldt was an animator.
• Sam Bradley designed locations and drew background art for the show.
• Sean Branigan was a revisionist.
• Rob Bryson designed props for the show.
• Justin Bysma was an animator.
• Tara Campbell was the design coordinator.
• Christina Cardozo was an animator.
• Kelly Carlson was involved in Leica conform.
• Paul Caron was an animator.
• Faruk Cemalovic was the design supervisor and also designed and posed characters.
• Matthew Cemalovic was an animator.
• Justin Chan was a revisionist.
• Jason Clarke was a VFX designer/animator.
• Ted Collyer drew storyboards for the show.
• Brian Coughlan drew storyboards for Pox N Roll and Wish Upon a Jug.
• S. Camille Crawford was a Leica editor.
• Edric Daguio was an animator.
• Nathan Day was a VFX designer/animator.
• Dalibor Dejanovic was a revisionist.
• Vanessa Del Priore was a layout artist.
• Daniella Demysh designed and posed characters for the show.
• Matthew DiLallo was an animator.
• Darren Donovan was a VFX designer/animator.
• Mary Dorich was a Leica and picture editor.
• Gerry Duchemin drew storyboards for the show.
• Brent Forrest was a VFX designer/animator.
• Keith Fukumoto was a revisionist.
• Mike Geiger was an animator.
• Brad Graham designed locations for the show.
• Tom Gravestock was the storyboard revisionist.
• Dylan Green was involved in storyboard conform.
• Andre Guindi was an animator.
• Matias Hannecke was a color stylist and also drew background art for the show.
• Chad Hicks drew storyboards for Super Zeroes.
• Adam Hines was an animator.
• Mike Hogue was a VFX desinger/animator.
• Chuck Jones was an animator.
• Patricia Jones was involved in storyboard conform.
• Dae Jung drew storyboards and was an animator for the show.
• Todd Kauffman designed and posed the characters of the show.
• Mitchel Kennedy was a revisionist.
• Nicole Kozak was an animator.
• Cathy Kuo was an animator.
• Pasquale LaMontagna was an animator.
• Ed Lee designed the locations and also drew concept art for Peaceville and the garage.
• Hena Lee was an animator.
• Hy Era Lee was an animator.
• Jieun Lee designed and posed characters and was also an animator for the show.
• Frank Lintzen drew storyboards for the show.
• Matt Lyon was a revisionist.
• Kezia Ma designed and posed characters for the show.
• Christopher MacDonald designed and posed characters for the show.
• Dave MacDougall was the animation supervisor and also designed props for the show.
• Mickie MacDougall designed props for the show.
• Kyle Marshall designed characters for the show and also drew storyboards for Rockersize.
• Jamie Mason was an animator.
• Sean McDowell was an animator.
• Dipesh Mistry drew storyboards for the show.
• Shannon Mistry was an animator.
• Moris Molino was a VFX designer/animator.
• Matt Moses was a VFX designer/animator.
• Marcus Nicholson was an animator.
• Vihren Paounov was a revisionist.
• Brian Paqutte was an animator.
• Kamonthep Phungurai was an animator.
• Jens Pindal was an animator.
• Andy Powell was a revisionist.
• Aleksandar Prohaska was a layout artist and also designed the backgrounds for Camp Screamly.
• Rob Risek designed and posed characters for the show.
• Leslie Rogers was an animator.
• Martin Ros was an animator.
• Ivan Rusev was a revisionist.
• Martin Sal was an animator.
• Dan Seddon designed and posed characters for the show.
• Katie Shanahan drew storyboards for the show.
• Stuart Shankly was an animator.
• Nikoo Sharifi was an animator.
• Jeff Size was an animator.
• Laura Sloan was an animator.
• Martin Smith was the art director, a color stylist, designed locations, and also painted the backgrounds for Camp Screamly and the garage.
• Evan Steacy was an animator.
• Angel Szafranko was a revisionist.
• Kaloian Tcherkezov was an animator.
• Paul Teglas was an animator.
• Mark Thornton designed props for the show.
• Michelle Tripp was the animation director and lead animator.
• Kyle Van Staten was an animator.
• Aleks Veljkovic was an animator.
• James Walsh was the posing supervisor and also drew character poses.
• Darren Ward designed props for the show.
• Paul Watling was storyboard supervisor and also drew board panels for Smash Up Terby and Dance of the Dead.
• Michael Westman was an animator.
• Ian Westoby drew storyboards for the show.
• Andrew Wolf was the layout supervisor.
• Jeffrey Young-Sterling designed props for the show.
• Debbie Yu was a color stylist.
• Rajo Zakic was a Leica editor.
• Qi Zhang was an animator.

Miscellaneous

• Collins Barrow, Toronto provided accounting.
• Alejandro Calleja provided accounting.
• Noel Dela Fuente provided accounting.
• Ian Dimerman was the production financing consultant.
• Hugues Dufour was an executive for Teletoon.
• Chris Fourney was a technical director and technical advisor.
• Athena Georgaklis was an executive for Teletoon.
• Alan Gregg was an executive for Teletoon.
• Mitch Huie was the online editor.
• Sharon Kim was responsible for clean-up and breaking.
• Doug Macklin was responsible for clean-up and breaking.
• Mike McKay was responsible for clean-up and breaking.
• Duncan Morin provided legal services.
• Glen Nudelman provided accounting.
• Maruf Raza provided accounting.
• Lloyd Simms was the network administrator and technical director.
• Andrew Zachodniak was the digital supervisor and was responsible for clean-up and breaking.

Grojband - The Show Must Go On!

Website Creation

• Teletoon created the website.
• Bell Fund funded the project.
• WANTED! Sound + Picture was responsible for the compositions and sound design.
• Noora Abu Eitah was the producer.
• Ryan Andal was the technical director.
• Ryan Creighton was a game design consultant and developer.
• John Cumming was the system administrator.
• Adam Drake was the backend developer.
• Noora Abu Eitah was a writer.
• James Fraser was a quality assurer.
• Pietro Gagliano was the creative director.
• Stefan Grambart was the art director and a writer.
• Christos Katopodis was the lead animator.
• Michael Kazanowski was a post-producer.
• Josh Manricks was a game and site developer.
• Steve Miller was a post-producer.
• Steve D. Miller was the information architect.
• James Milward was the executive producer.
• Nyla Narinesingh was the French translator.
• Joanna Ong was a site developer.
• Luke Van Osch was a quality assurer.
• Michael Phan was a game developer.
• Tony Pilger was a game developer.
• Kai Salminen was the assistant art director.

Animation Sequences

• Audio Postproduction SPR Inc. was responsible for the French translation and sound.
• WANTED! Sound + Picture was responsible for the compositions and sound design.
• Tara Campbell was the production coordinator.
• Mary Dorich was the editor.
• Noora Abu Eitah was the producer.
• George Elliott was an executive producer.
• Wren Errington was the associate producer and the production manager.
• Brian Irving was an executive producer.
• Christos Katopodis was the animation lead and writer.
• Tom McGillis was an executive producer.
• Elize Morgan was a writer.
• Jennifer Pertsch was an executive producer.