 |
This is the transcript of a dialogue or message file, a file which contains the dialogue of a non-player character in a given game or ingame messages related to scripts and items. |
|---|
Dialogue for Bishop's bodyguard, John Bishop's personal bodguards in the Shark Club.
Note: This page has been altered from the original transcript not by choice of the wiki, but instead due to forced compliance with Fandom's Offensive Terms Policy. Despite the policy's assertion that "we don't need to ask you to change source material", these changes were implemented on the wiki on March 23, 2025, following multiple instances of communication from Fandom that made it clear these original transcripts needed to be altered for the sake of the site-wide policy. Any instances of censorship below are not how the game and/or its files are actually presented, and are thus inaccurate. Though the terms may be offensive, these transcripts were originally intended to be historical records of the game's files and the in-game text. By forcing compliance with the policy, Fandom's censorship has degraded the accuracy of these original transcripts, regardless of if the words within are offensive. We apologize for the inconvenience.
# QUICK LOOK
{100}{}{You see one of Bishop's bodyguards.}
# EXAMINE
{150}{}{You see a rugged-looking man dressed in leather armor. Numerous scars and gunshot wounds cover his body.}
{151}{}{You see one of Bishop's bodyguards. He is scanning the area and fingering his weapon.}
# 1. FLOAT DIALOGUE: ENCLAVE DESTROYED IS TRUE (WTG)
{200}{}{Hey! }
{201}{}{! Way to kick the Enclave's ass!}
# 2. FLOAT DIALOGUE: POWER ARMOR (WTG)
{205}{}{How the hell do you go to the bathroom with that thing on?}
# 3. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=BISHOP [ARMED] (WTG)
{210}{}{Bishop expecting you, }
{211}{}{? Go on up. Just don't be waving that weapon around him.}
# 4. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=BISHOP [SNEAK] (WTG)
{215}{}{Uh, look… Bishop's expecting you, right, }
{216}{}{? Go on up. Turn off the sneak, though.}
# 5. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=BISHOP [NORMAL] (WTG)
{221}{}{? Go on up.}
# 6. FLOAT/CLICK DIALOGUE: MADE MAN, FA=NOT BISHOP (WTG)
{225}{}{You just walked into the WRONG place, dipshit.}
{226}{}{Well, look at the brass balls on this son of a bitch... get, boy, before we gun you down.}
{227}{}{This guy's asking for trouble…}
{228}{}{You better leave, }
{229}{}{Well, if it isn't }
{230}{}{I hear the }
{231}{}{Didn't think members of family }
{232}{}{You just walked into the WRONG place, bitch.}
{233}{}{Well, look at the swagger on this bitch...}
{234}{}{Get, girl. Before we gun you down.}
{235}{}{This bitch's asking for trouble…}
{236}{}{I hear the }
# 8. FLOAT DIALOGUE: MALE, PRIZEFIGHTER [ARMED] (WTG)
{245}{}{Yo, champ. No weapons in here, 'kay?}
{246}{}{Yo, champ! Put that weapon away.}
{247}{}{Hey, }
# 9. FLOAT DIALOGUE: MALE, PRIZEFIGHTER AND MALE PORN STAR [SNEAK] (WTG)
{255}{}{What are you sneaking around for?}
{256}{}{Are you trying to avoid your fans?}
{257}{}{Uh, why all the secrecy?}
# 10. FLOAT DIALOGUE: MALE/FEMALE, PRIZEFIGHTER (WTG)
{265}{}{Yo, }
{266}{}{Yo, }
# 11. FLOAT DIALOGUE: MALE/FEMALE, PORN STAR [ARMED] (WTG)
{275}{}{Yo, lover-boy. No weapons in here, 'kay?}
{276}{}{Hey, }
{277}{}{Yo, }
{278}{}{Honey, you can't be carryin' weapons in here. Heh-heh... You're deadly enough as it is.}
{279}{}{Hey, }
# 13. FLOAT DIALOGUE: [PORN STAR, FEMALE] [SNEAK] (WTG)
{285}{}{Honey, with a body like that, you won't be able to sneak anywhere.}
# 14. FLOAT DIALOGUE: [PORN STAR] (WTG)
{290}{}{Love the films, }
{291}{}{Loved you in Great Balls for Hire.}
{292}{}{Loved you in Good Will Humping.}
{293}{}{I'm a big fan of your work in Pokeahotass.}
{294}{}{::whistles::}
# 16. FLOAT DIALOGUE: SLAVER [ARMED] (WTG)
{300}{}{You looking to fill a grave in Golgotha, slaver? Put that thing away.}
{301}{}{Put that weapon away, slaver, or I'll use you for target practice.}
{302}{}{Slaver, you better secure that weapon right NOW.}
# 17. FLOAT DIALOGUE: SLAVER [SNEAK] (WTG)
{305}{}{You looking to fill a grave in Golgotha, slaver? Stop sneaking around.}
{306}{}{Stop sneaking around, slaver, or I'll use you for target practice.}
{307}{}{Maybe you better go back to ninja school, slaver - now stop sneaking around.}
{308}{}{Slaver, you better stop that sneaking around shit right NOW.}
# 18. FLOAT DIALOGUE: MALE/FEMALE, NO REP [ARMED] (WTG)
{315}{}{You looking to fill a grave in Golgotha, tribal? Put that thing away.}
{316}{}{Put that weapon away, tribal, or I'll use you for target practice.}
{317}{}{Tribal, you better secure that weapon right NOW.}
# 19. FLOAT DIALOGUE: MALE/FEMALE, NO REP [SNEAK] (WTG)
{325}{}{You looking to fill a grave in Golgotha, tribal? Stop sneaking around.}
{326}{}{Stop sneaking around, tribal, or I'll use you for target practice.}
{327}{}{Maybe you better go back to ninja school, tribal - now stop sneaking around.}
{328}{}{Tribal, you better stop that sneaking around shit right NOW.}
# 20. FLOAT DIALOGUE: COMPANION: ROBOBRAIN (WTG)
{335}{}{Get that robot outta here. Now.}
{336}{}{Get that robot outta here before we turn it into a trashcan fire.}
{337}{}{That robot's gonna be spare parts if it stays.}
# 21. FLOAT DIALOGUE: COMPANION: MARCUS (WTG)
{345}{}{I *thought* I smelled mutant. You better get his yellow ass outta here. Now.}
{346}{}{You and your mutant friend looking to get shot? Beat it.}
{347}{}{That mutant better get outta here right now, or we'll be mounting his head on a wall.}
# 22. FLOAT DIALOGUE: COMPANION: LENNY (WTG)
{355}{}{I *thought* I smelled something rotting. Get that ghoul outta here.}
{356}{}{Get that stinky ghoul outta here. Now.}
{357}{}{That ghoul ain't outta here in a minute, he's gonna be deader than he already is.}
# 23. FLOAT DIALOGUE: MALE/FEMALE, NO REP (WTG)
{365}{}{Catch the fight last night?}
{366}{}{I'm hitting the bar after work.}
# 24. CLICK DIALOGUE: MALE/FEMALE, MADE MAN: BISHOP, BISHOP = DEAD (WTG)
{370}{}{You can go up if you want. Bishop got whacked, so you can use the pool, too.}
# 25. INTRO (WTG)
{375}{}{What d'you want, pal? Make it quick.}
{376}{}{What d'you want, hon? Make it quick.}
{377}{}{You again. What the hell d'you want now?}
{378}{}{Me want world peace}
{379}{}{Me want to go up stairs}
{380}{}{Hoo Yoo}
{381}{}{Wander off}
{382}{}{What's up those stairs?}
{383}{}{I'm here to see Mr. Bishop.}
{384}{}{I'm here to see Mr. Bishop. I have a suitcase for him from Mr. Moore.}
{385}{}{Sorry, I seem to have taken a wrong turn. I'll be going now.}
# 26. TRY TO GO UPSTAIRS (WTG)
{390}{}{You got some business upstairs, pal?}
{391}{}{You got some business upstairs, honey?}
# 27. R***** (25, 26, 29, 30, 32, 33)
{405}{}{Boy, you are one stupid son of a bitch, aren'tcha? }
{406}{}{Boy, you are one stupid bitch, aren'tcha? }
{407}{}{Look, get out of here before we beat the rest of your brains outta you.}
{408}{}{ME WANT WORLD PEACE ME WANT WORLD PEACE}
{409}{}{ME SAY ME WANT TO GO UP STAIRS}
{410}{}{HOO YOO}
{411}{}{Shamble off}
{412}{}{Let me pass.}
{414}{}{All right. I'm leaving.}
# 28. LOUD R***** (27)
{420}{}{Dipshit, you just earned yourself a ticket to a world of hurt.}
{421}{}{Bitch, you just earned yourself a ticket to a world of hurt.}
{422}{}{YOO ONE WHO GET HURT}
{423}{}{ only want to be left ALONE but WORLD hurt }
{424}{}{ so }
{425}{}{ SMASH PUNY HUMANS}
{426}{}{Scream and dive for cover}
{427}{}{Go silent, brace yourself, and get ready to do some damage.}
{428}{}{You want some of THIS, boys?! YOU WANT SOME?! Then come GET some, you pathetic SONS OF BIT --}
# 29. WHAT'S UP THOSE STAIRS? (25, 26)
{435}{}{If you don't know, then you don't NEED to know. Now blow.}
# 30. BISHOP DEAD (25, 26, 27, 29)
{445}{}{Well, that's too damn bad, cuz Bishop took the road to the sky not too long ago. Now beat it.}
{446}{}{You deaf? John Friggin' Bishop is friggin' DEAD, awright? Now get outta here before you join him.}
{447}{}{Look, I need to go upstairs, just for a second.}
{448}{}{Okay, I'm leaving.}
# 31. I'M HERE TO SEE BISHOP (25, 26, 27)
{455}{}{No, I know Mr. Bishop's schedule, and you ain't on it.}
{456}{}{He's expecting me. Tell him I'm here.}
{458}{}{All right then. Goodbye.}
# 32. HE'S EXPECTING ME. (31)
{465}{}{Awright, pal. What's yer name? I'll check with the boss.}
{466}{}{Awright, hon. What's yer name? I'll check with the boss.}
{467}{}{I'm }
{468}{}{.}
{469}{}{You don't need my name. Just let me see him.}
{471}{}{Forget it. You don't need to check'I'll be going.}
# 33. HE'S EXPECTING ME (REFUSE) (32)
{475}{}{(The guard steps away for a moment, opens a panel one of the walls and whispers something. He waits for a minute, listens, then turns back to you.) }
{476}{}{He doesn't know you. Piss off, pal. You're wasting our time.}
{477}{}{He doesn't know you. Piss off, hon. You're wasting our time.}
{478}{}{Let me see him. Now.}
{479}{}{Tell him I have a suitcase for him... from Mr. Moore.}
{480}{}{Forget it then.}
# 34. HE'S EXPECTING ME (AGREE) (25, 26, 27, 28, 29, 33)
{490}{}{(The guard steps away for a moment, opens a panel one of the walls and whispers something. He waits for a minute, listens, then turns back to you and shrugs.) He says you can head on up.}
{491}{}{All right.}
# 35. MADE MAN: BISHOP (WTG)
{495}{}{Yo, }
{496}{}{! }
{497}{}{Mr. Bishop 'xpecting you?}
{498}{}{Yes. Can I head on up? We have business to discuss.}
{499}{}{No, not right now. Take care, guys.}
# 36. MADE MAN (35)
{505}{}{Sure, go on up, }
{506}{}{. }
{507}{}{Next time, don't even sweat asking…just head on up.}
{508}{}{Thanks.}
# END LINES
{1228}{}{. Now.}
{1229}{}{. Ain't your family gonna be missing you?}
{1230}{}{ family is a bunch of pussies. What you think about that?}
{1231}{}{ had time to do much more than kiss their bosses' ass.}
{1236}{}{ family is a bunch of pussies. Now I see it's true.}
{1247}{}{! You can't be showing weapons in here, awright?}
{1265}{}{. You taking care of yourself?}
{1266}{}{. What's up?}
{1276}{}{! You can't be showing weapons in here, awright?}
{1277}{}{! Put that weapon away.}
{1279}{}{! You can show your tits, but you can't show weapons in here, awright?}
{1290}{}{!}